

Marvel Comics Presents (Iron Man) #51 (1990).Classic X-Men (backup story) #36 (1989).Amazing Spider-Man On Bullying Prevention, (16-pages, with writer Brett Lewis, Target giveaway comic, 2003).The Big Book of the Weird Wild West (one page story, pencils and inks with writer John Whalen, DC Comics/Paradox Press, 1998).The Big Book of Urban Legends (one page story, pencils and inks, DC Comics/Paradox Press, 1994).The Big Book of Little Criminals (one page story, pencils and inks, DC Comics/Paradox Press, 1996).The Big Book of Bad (one page story, pencils and inks, DC Comics/Paradox Press, 1998).Milestone Forever #1–2, (partial pencils for 48-page specials, with writer Dwayne McDuffie, 2010).Hardware #14 (fill-in pencils, with writer Dwayne McDuffie, 1994).Superman: The Man of Steel #31, Annual #3 (1994).Green Lantern: Emerald Dawn II, miniseries, #1–6 (1991).Green Lantern: Emerald Dawn, miniseries, #1–6 (1989–90).Green Lantern Corps Quarterly #1–3 (1992).Deadman: Dead Again, miniseries, #4 (2001).

Batman: League of Batmen #1–2 (48-pages each, pencils, with writer Doug Moench, DC Comics, 2001).level path, that he writes and draws, is occasionally updated on his website.Ĭomics work (interior pencil art) includes:
#Mark bright iron wars series#
He also created the Damaged comic series with Jason McKee of A-10 Comics. He has occasionally returned to comics, including an Untold Tales of the New Universe one-shot for Marvel Comics and a Transformers Spotlight issue for IDW Publishing. Joe trading card set, and all of the Green Lantern and Green Lantern Corps artwork for Impel/Skybox's 1993 DC Cosmic Teams trading cards.Īfter 20 years in American comic books, Bright moved into storyboarding for commercials, and live-action television and feature films, notably including M. During his years as a full-time comic book artist, Bright also provided artwork for analogous trading cards: The Green Lantern Hal Jordan card for Impel's 1992 DC Cosmic Cards, approximately one-third of Impel's 1991 G.I. Although Bright inked some of his covers, most of his interior comics artwork was created in collaboration with an inker, primarily Romeo Tanghal, Randy Emberlin, Greg Adams and Mike Gustovich. Joe, Green Lantern, Action Comics (when it was published weekly), Milestone Comics' Icon and Acclaim Comics' Quantum and Woody. Bright's regular-artist runs on comic-book series include Solo Avengers, Iron Man, G.I. He again collaborated with Priest on the final 10 issues of Power Man and Iron Fist. One issue had been completed by artist Paul Smith, and Bright pencilled the remaining three issues. Priest (then going by his birth name, Jim Owsley) penned Falcon mini-series in 1983.

His work in comics began in 1978 with a three-page story in House of Mystery #257 (April 1978) His first regular work was providing the art for the Christopher J. Quantum & Woody: Director's Cut Trade by VALIANT Comics
